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The physics of the
creative/creation process - the introduction
The foundation
The
method of observations
The
results of observation
Getting started in the physics
When someone refers to "the physics of" something they are
referring to the basic rules, principles, laws or the like which
govern whatever is being discussed. These basic rules, principles
and law cannot be violated and must be followed for the situation we
face. Otherwise we will not get what we
desire.
Relative to the
creative/creation process there is a basic
set of rules, principles or laws which govern how we create. In
learning and understanding them, we can apply them in our life and
learn to become a conscious creator of our life or whatever we
desire to create and experience. The following is the initial
discussion of the physics, concepts and principle of the
creative/creation process.
The
foundation (Top)
Within the
creativity perspective using the
energy consciousness model, energy and consciousness are seen as
different forms of the same material of
creation/Creation. All creation/Creation is seen as arising out
of
energy consciousness.
Consciousness is seen as a flow of energy which has awaken to the
awareness of existing. It is experienced as the awareness of itself
and/or it surrounding. Without the movement in the flow of energy
there is nothing to observe. The awareness is independent of the
particular flow of energy in which it awakens. But, how it awakens
and what it understands about itself depends on the flow of energy,
the environment in which it awakens and what it may remember of the
past. Consciousness has the
ability to change and/or redirect the flow of energy which gives
rise to its existence by the choices it does or doesn’t make. In
doing so, it changes what it experiences. As such, consciousness is
a
creative living process continually redefining itself and what
it experiences by the experience it has.
Energy is seen as existing in a
localized or non localized form.
When localized it can be experienced as
creation/Creation. Each form of energy can be experienced as a
different creation/Creation.
Physical Creation is only one of an
infinite number of forms that energy can take. Energy is experienced
as flowing from one form of creation/Creation into another. It is
the flow of energy which animates creation/Creation. Without a flow
of energy there is no movement and nothing to observe.
Creation/creation is a
dance between energy and consciousness.
Energy is seen to mold itself in response to the
desires and
choices
of consciousness. The energy aspect of
energy consciousness supplies
the energy for creation when it flows and reforms itself in response
to the desires of consciousness.
We each are part of a
creative/creation process and we are the ongoing unfolding
product of that creative/creation process. In this regard, we are a
creative living process continually being recreated. The process
of which we are a part is the energy flowing into
creation/Creation in response to a
desire of a consciousness to
have a
human physical experience. The desire of consciousness which gives
rise to the flow of energy we experience is the
intention for our life. For all practical purposes, the
intention for our life is the flow of energy which created and
sustains our life. From a
creativity perspective, how we perceive the consciousness which
gives rise to our life is not as important as realizing there is an
intention for our life.
The question pursued here is, “Exactly how does energy mold itself
in response to consciousness to give rise to both the
Physical Creation we experience and the life we experience in Physical
Creation?”
The method of observations
(Top)
The issue we face is that, being
within the process, we can not fully see the process for what it is.
Our
mind, as we know it, is not be able to fully understand the
process for it is a product of the process. Mind as we know it,
cannot stand outside the process. Remaining in the mind we have,
which came into existence as a result of the process, will keep us
from seeing and understanding
how we create our experiences and
create the reality we experience.
The question arises, “How do we
step out of mind to see what process really looks like?” The
answers is that we can step out of mind three ways.
One way to
step out of mind is to use the
Bohr Approach and look to see what nature reveals about the
creative process. This means to take nature at face value without
all our opinions, judgments and preferences about what we see and
experienced. Nature is what is and that is the way it is. For
example,
everything will eat of another to sustain itself in one way or
another. For humans, this is true spiritually, mentally, physically
and emotionally.
Although the approach to observe nature in non judgment is a
powerful technique and provides a tremendous amount of information,
we are still observing the process of
creation/Creation from within
Physical Creation. That biases
what we can see and observe. The
Bohr Approach can only take us so far in understanding the
process of which we are a part and gives rise to our existence as we
know it and experience it.
A second way to
step out of mind is to become a
detached witness. To become a detached witness is to identify
ourselves with the awareness that perceives through
mind. It is to
see and understand that who and what we think we are is only a
result of the experiences we have had. A different set of
experiences would cause us to see and perceive ourselves
differently. But it is to realized that awareness that perceives is
unchanged by the experience it has. What changes is what the
awareness believes about the experience.
Becoming a
detached witness is a very powerful technique. It allows
us to step past the
enculturated mind, that is, the
mind based on the experiences we have had in this life time, and
see and experience the
transcendental mind. The transcendental mind is the part of mind
that transcends our current life. The transcendental mind allows the
awareness to see all that it has ever experienced. However, to see
the
creative/creation process for what it truly is, one must remain
in the awareness as that detached witness and look past the
transcendental mind.
However, powerful as this technique is, there is still a problem.
Mind cannot perceive what it has not experienced. What mind
experiences it cannot understand until it gains the
minimum set of experiences to understand and properly
characterized what it experience. Until mind gets the minimum set of
requisite experiences to understand the
creative/creation process it will be unable to know exactly how
the process works.
The reason for this there are an infinite number of ways to
experience Creation. It will take some faction of that infinite
number of experiences for
mind to begin to see exactly how
creation/Creation works. Fortunately, through oral and written
communication, humanity has learned to share
lessons learned. We, as individual entities, do not have to
personally have all the necessary experiences. We can learn from the
experiences of others and build on what they have discovered. The
question here is two fold. One part of the question is, “What is
that
minimum set of experiences we need to have to being to see the
creative/creation process for what it really is and know that it
is correct?” The second question is, “How do we get or find that
minimum set of experience?”
This takes us to the third way to
step out of mind. The third way to get out of mind is through
feeling. That is, totally place our awareness into what we feel
and allow the feelings to carry us where they may. For some, this
is extremely frightening. For others it is tremendously difficult to
discern a particular feeling and follow it from start to finish
where the energy in the flow is fully dissipated.
Remember, consciousness awakens as a result of a flow of energy.
Feelings arise as a result of the flow of energy we sense. The more
we are
open to feeling we literally expand our awareness. Expanded
awareness, in turn, provides a greater depth and breadth to what we
experience. The greater awareness we have the fewer experiences we
need to get that
minimum set of experiences. There are two reason for this. One
is any experience we have is experience to a greater depth and
breadth covering a much greater “range” of experience.
The second is the greater depth and breadth of an experience also
allows us to see beyond the obvious and into what is giving rise to
the experience and into the unfoldment of the experience. It is not
about seeing into the past and into the future although some will
interpret it that way. Rather it is seen the
cause which gives rise
to the
effect and the consequences and outcomes of the effect that
is experiences. With expanded awareness one is able to see the
unfolding process.
If we are able to discern and lock onto a particular feeling and
then follow that feeling to
dissipation, we can begin experience
the
creative/creation process for what it is. It may be for only a
short time and the particular flow of energy we follow may not
gives rise to the depth and breadth of what is possible in a
creative flow, the flow can nevertheless give one an understanding
for the overall process. In knowing the overall process, one can
look at any one process and see where the point of observation lies
relative to the overall process. Then in looking at a variety of
creations in this manner, we can being to discern what exactly the
creative/creation process looks like. “The
rain-river analogy for the creative/creation process” is
something we may find useful as a reference to being to see the
entire creation cycle.
Once one beings to see the overall
creative/creation process and what gives rise to any one flow of
energy, we can begin to
do our own experiments and
experiment with the process to see if, in
fact, one has an accurate representation of the process.
The results of observation
(Top)
What is provided here is a
synthesis of understanding as to how it is possible that we
create our experiences and
create the reality of those experiences based on what
we know about observed physics phenomenon.
What is provided arises from the synthesis of essentially two types
of information. One is as an answer to the question, “Is there a way
to experience Creation such that whatever one believes they can have
some type and kind of experience such that they can then use as
evidence that what they believe is true?” The second set of
information arose from a
conscious journey into the exploration of organizational
creativity and a subsequent journey into the
exploration of our inherent creativity to see how to get individuals to become more creative.
What is provided here does not necessarily reflect what actually
happens in
creation/Creation. Rather, what is provides is a way to
understand how it is possible. The following should be seen more as
a metaphoric and symbolic representation that seem to reflect what
happens. The information should be use more metaphorically than
literally.
We need to remember these phenomena are analogies to understand a much
more complex phenomenon and should not be taken as THE way energy
manifests. These analogies are presented as tool so that we can
being to see what types and kind of things of which we should be
concerned to create what we
desire. Yet, there are
creative endeavors where a literal interpretation and application is
appropriate.
As with all models or explanations used to describe physical
processes, they present a way to explain, if not understand, what
has been observed to occur. In time, better explanations may be
uncovered. As in the world of physics, existing models and
explanations may be superseded by more detailed and/or more
encompassing models or explanations as they are discovered. What is
provided here are some physics phenomenon based on current physics
thinking that we would find taught near the start of the
Twenty-First Century overlaid with the
equivalence of energy and consciousness.
Getting started in the
physics (Top)
In looking at the
creative/creation process there are actually two ways to create.
These two ways can be perceived as
two level of creation. One way to create is to use existing
materials to create something new and not previously experienced. This is the way most of us create and
it the easiest and fastest way to create anything. It is the way
most frequently used by nature.
The second way to create is
to create something from nothing. That is, in addition to the
creation itself, we need to create the materials to create what we
desire. We may use existing materials to create the new materials
but the materials we use in the creation do not exist in the form we
use. Few create in this way. These types of creation tend to
revolutionize the world in which we live.
Usually when we create we actually use a combination of the two ways
and lean more to the first way than the second. That is, in any
given
creative endeavor, there may be a few materials that are
created and the remaining items we use are from what is readily
available. As a minimum all our creations start with a thought and
our thoughts do appear to arise out of a “no-thing-ness.”
Initially there was no thought then the thought appears and we
choose to act or not act on the thought we have to manifest that
thought. If is something new and not previously seen and
experienced, then we are creating. If the thought is something
previously seen and experienced, we are just repeating the past.
What gives rise to the
origins of our thoughts is another question not addressed here.
In any case, both ways of creating follow the same basic process. In
the first way, we use existing materials we start from which has
already been created out of the
raw materials of creation. In the second way, we use the raw
material of creation out of which all creation arises - that is,
energy and the
desire of consciousness.
In addition to the two ways to create above, there are two arenas or
theaters to perform our creativity. One arena or theater is creation
outside of the existence of another creation. It would be to create
a
world unto ourselves. In many ways what we create within our being
can be this type of arena or theater of performance. When we create
a world unto ourselves, there are no rule but the rule we create.
Here we do not have to abide by the opinion and
desires of any
other. We are totally free to create what we desire. However, most
in their internal world still follow the guidance provided by the
external world.
The other is were we
create within a creation.
Physical Creation is
such an arena. In some ways creation in the Physical World it is
like being in a sandbox. In a sandbox
we choose to create with sand
rather than wood, mud, ice or some other material. Being in the
sandbox, we have to build what we
desire using the rules that govern
sand. The rules of wood, mud and ice are not applicable to sand.
Although we may not like sand as a building material and it is
difficult with which to work, we nevertheless need to follow the
rule of sand if we are going to build out of sand. If we are going
to use something other than sand in the sandbox, we are changing the
rules and the way that we will be able to build in the sandbox.
Although we can introduce new materials into the sand box, we may
need to get all the other people in the sandbox to agree with what
we do. Otherwise, disagreements could arise. What those
disagreements mean and what they look like depends on the situation
at hand.
When we create with an existing creation there are agreements we
make about what we can and can’t create and there are rules to
follow. Most of us are not consciously aware, or even
nonconsciously
aware, of the rules and agreements but they nevertheless exist and
we follow them. Many of the agreements we make about being human, as
is the
intention for our life, and that limit our creativity lie in
our unconscious, well below the subconscious. One reason for
this is
creation is about forgetting. To have an experience of creation
there is
the need to become lost.
From a
creativity perspective and getting some idea as to how
consciousness translates its
desires into a physical experience is
seen as a combination of creativity in these two arenas. The “game”
we play is a
dance between mind and what is symbolized in the heart. The
mind can create independent of the world it inhabits and then
tries to manifest what it thinks into that reality. On the other
hand is the
heart. What is symbolized in the heart asks us to
surrender
to what is, as it is, and to use mind to figure out how to
live what the heart desires and have the
experiences we incarnated
to live. It is these two arenas of our creative activities that come
together into
Physical Creation and make physical Creation so
interesting.
From a physics perspective, it is important to understand what lies
within our own being and in
internally influencing what we desire to create. There are
concepts and ideas which we embrace and which provide the governing
criteria for many of our actions. Similarly, there an many
external influences pushing us to act one way or another. Some
times the inner and outer agree and other times they do. This, in
turn, give rise the
outer dance between the
desire of the
creative spirit to express
itself, true to itself, in the external world and the demands of the
outer world in which it finds itself.
The physics of
creative/creation process
is focused on some physical processes that can help to understanding
how all of these influences comes together and
how we create our experiences and
create the reality of those
experiences. It also provides a way to see how it is possible to
create something from a perceived “no-thing-ness.”
These concepts, in turn, can help us to understand how energy can
mold itself in response to what consciousness
desires.
Related topics
The creative/creation process
What is creation/Creation
Physics of the creative/creation process topics
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