|
In the discussion, “Finding
An Alternative Way” is it stated: What the author didn’t know nor understand at the time was he moving
to a turning point that was reached in the
Ultimate Accident. In essence this choice to explore the
unseen
energy of Creation was the beginning to move from his
professional path and the way he was taught to view and to live
his life to his
mystical path.
The
Ultimate Accident was the turning point where the author moved
from embracing his professional path to surfacing and embracing his
mystical path. For the author to claim that any one action created
the Ultimate Accident would incorrect. To claim he was destined to
experience it would also be incorrect. To claim that following the
recommendation and
offer
he received at Virginia Beach would be incorrect. Yet, they were
all part of it.
All that he can really say is that each of them along with several
other things he did seemed to create conditions that made the
probability of the
Ultimate Accident almost a certainty. In
hindsight it can be said that he created a critical mass of
enlightenment within his own life. That is, he consciously and
nonconsciously assembled a set of conditions in his life that
allowed for the experience of the Ultimate Accident. In essence he
created a critical mass of conditions that blew apart his
ego and
the world as he knew it and understood it. That in turn, allowed
him to experience the
Source/source.
His enlightenment was about creativity, creation and
how we create the experiences we have and
create the reality of those experiences. That
was focus of his awareness when he stumbled into the
Ultimate Accident. It was the understanding with which he came out. What
awareness you create if you were to create a similar critical mass
of conditions in your life would depend on the intention you hold
and your focus in life when you enter it.
It needs to be remembered that when the author
chose
to experiment to see if he could create a Critical Mass of
Enlightenment he was not looking to necessarily create an
enlightenment within himself. He was looking to create a critical
mass of individuals within the world. Since he did not really know
what enlightenment was, it only made sense that if he was to create
something to do with enlightenment in the world, he would have to
have an enlightening experience or somehow become enlightened as to
how to create it. Since he didn’t know what enlightenment was or
what he needed to do become enlightened about how to actually do the
Critical Mass of Enlightenment Experiment, he had no way to prepare
for it. So whatever he did may or may not have been a contributing
factor. He had no way of really telling.
Similarly, although he did have an enlightening experience about the
source/Source of his
creative power in the
Ultimate Accident,
because of how we experience the infinity of creation we cannot
necessarily give an accurate rendition of either how we stumbled
into it or how we created it. This problem is discussed in “The
Problem of Mind and the Experience of the Source of Creation - the
Trap of Mind”
On the point of enlightenment, many authors state their opinion on
what it is and many point to individuals who they say are
enlightened. The author of this material does not say he is
enlighten in the way enlightenment is normally discussed and/or
sought after. Rather, he will say he has been enlightened about
creativity and the
creative process of which we are all a part. He
can also say for him to obtain the enlightenment he gained, there
needed to be a collapse of the world as he knew it and who and what
he understood himself to be.
It is important to note, the author was not desperate when he
stumbled into the
Ultimate Accident. It can be said that life did
not seem to be giving him and others what
mind had promised. He saw
much dissatisfaction in life. He was disappointed with what he was
experiencing in his profession life and could always capitalize on
his professional credentials to do some different but that would not
have solved the issue of life not giving what has been promised.
He, himself, was not so much dissatisfied with life but rather, he
was looking to do something more interesting in life. He was looking
for something to which was worth giving his life or devoting his
life. He undertook the Critical Mass of Enlightenment purely as
play. In the process he did stumble across the possibility of
creating a
gentle phoenix. That is, a
faster, easier and gentler way for individuals to transform
themselves than has been available in the past. He found it could be
created at several different levels depending on the conditions
which could be created.
The following are the conditions that the author recalls existed in
his life at the time he stumbled into the
Ultimate Accident that he feels contributed to making the
experience possible. Some came from the
heart with a deep
desire.
Others were of the
mind and simply perceived as the best way to go -
for example the choice to do the Critical Mass of Enlightenment
Experiment and the various
rituals created to access and align the
inner and outer
creative powers/Creative Powers.
The key to all of them was that the author was willing to
step out of mind to get what he sought.
The question that can be asked is, “Are the following the elements
necessary to create a critical mass of enlightenment for your life?”
The true answer is, “I don’t know.” How many of them are necessary
and will be the same conditions apply to you is not known. The
author has
his suspicions in witnessing the lives of others but each individual
will be unique. But it can be said without a doubt, if you have
these conditions in your life, you will greatly increase the
probability of such an event as the
Ultimate Accident of occurring in your life.
A dissatisfaction with what is: Life did not leave an
excitement. As was said, the author was not desperate but he was
looking for something more exciting. The issue here was he had come
to the realization
mind was not able to provide what he was seeking
in life. In essence he had
set the intention and was willing to
step out of mind and what he thought and believed about how the world
worked.
A conscious choice to follow one’s own path: In time,
the author began to become aware that the enculturation and
programming provided to him was not allowing him to live true to
himself. There came a point shortly before the
Ultimate Accident
that he chose to follow his
heart, his unique path, no matter what
the cost. He determined that path by following what gave him a
fullness within his being. In the past he would compromise himself.
Now he choose to do what he needed to do.
Guiding principles for his life - “Do what I find fun to do”:
A guiding principle the author used all his life and which he was
applying at this time was to do what he found fun to do. Or, rather
than say fun, to do what gave him a
fullness within his being and
allowed him to feel enthused with life and a
desire to live. This,
in turn, is the essence of the
internal compass. Throughout his life, including he professional
life, he always look for that which he found enjoyable to do. When a
job no longer was enjoyable and become repetitious, he would seek a
new job. This guiding principle in the author’s life has been the
basis of the recommendation made in the
creativity perspective to allow
effectiveness to be your measure of truth and to use what is
effective in your life.
Actively engaged in creativity: At this time the
author was actively engaged in creativity both in his professional
and private life. Professionally he was
exploring individual and
organizational creativity. Privately, he had been asked to be the
Executive Director of a
mind body foundation and was actively
engaged in helping to create it. It is to be noted the mind body
foundation was not really exciting to him and he was not really
interested in the healing aspects of the foundation. Rather it was
just something worth doing.
Profound desire to do something worth doing: The
author had, and has, a profound
desire to do
something worth doing. If he was going to give is life to
something, he wanted it to be something to which it was worth giving
his life. Alternatively said, he wanted to do something for which it
was worth dying because he knew he would give his life to it.
A desire for something bigger than himself: In
addition to seeking
something worth doing in life, he was also
seeking something much bigger than himself. He was not seeking it as
ego gratification. Rather is was about being aligned with something
of lasting value that would not change as the ego shifted what it
desires to experience in life. He was seeking something that was
large enough such that whatever way he ego decided to go, there was
plenty of room in which to move but yet still stay focused in the
same direction. That is, all that his ego could dream up to do and
experience in life would focus toward the same endpoint.
A deep desire to play: The author had a deep
desire to
creatively play and experiment. He chose to see if he could create a
Critical Mass of Enlightenment Experiment simply as
play. There was
no
ego desire in trying the Experiment. He was not looking to prove
anything to any body. He simply was looking for something sufficient
fun and challenging. He had no thoughts of really succeeding for he
knew he did not consciously know what he was trying to create. It
was done more under the classic motivation, “It sounded like a good
idea at the time.”
An intention for unconditional love: It was clear in
the author’s
mind that whatever he created in life depended on him
and his attitude. He could not look to another for what he himself
did not have. If he wanted to create a world of
love he had to
become it at each and every level of his being, He also new he had
to become unconditional. He could not give with the direct
expectation of return He knew he had to become accepting of those he
did not like. He sought to change what needed to be changed within
himself. He did not look for the world to change first.
He was open to assignment: What was not consciously
realized, but was nevertheless true, was that the author was open
for assignment. That is, he was willing to do what the Universe
asked him to do. There are many things he wanted in life. Yet he was
willing to
surrender
to a higher “calling” if he felt the higher
calling served what he felt was within his
heart. In many ways he
was looking for that individual to come along and say, “I have the
deal of a lifetime.” But he was not seeking a deal where he
ego was
necessarily satisfied. He was looking for an
inner satisfaction
about life that came from the depth of his being. On this point, the
author was willing to accept the offer provided and
outlined by the Universe at Virginia Beach. Although what was
outlined was nothing he had to do but he had to be willing to accept
the opportunities as they arose, when they arose.
The desire to find an alternative way to live life to be more
fulfilling to people: The author saw and experienced many
dissatisfied and disillusioned “successful” individuals. He knew
deep within his being there must be
an alternative way to live life
as opposed to the one he saw being given to individuals. So he acted
to find such a way. He did not look to another to do what he,
himself, could do.
Willingness to create the space for another: The
author was willing to
create the space
for another and do whatever
was necessary for what was in their
heart to become
free to unfold
true to itself. He did not limit this willing to an individual but
was willing to freely give it to whomever was willing to accept the
space that he gave - several accepted, several refused.
Willingness to look into the heart of another: There
was great symbolism in
connecting a piece of string between two hearts with a check
valve to only let the flow go one way. Symbolically he took the
heart of another an made it his own to be able to understand what
was motivating an individual. Symbolically it was about
stepping out of mind and
ego to truly understand the deepest
desires of another
and to consciously step into the interconnection we have with
another.
Desire to understand sexuality: At this point in time,
a friend was separating from their spouse. The reason for the
separation seemed very shallow but the author knew there were deeper
issues beyond what everyone was seeing. It was not the two
individuals who were separating were not telling the truth about the
reasons for the separation. Rather is was they themselves were not
fully aware of the deeper reasons. The author saw deeper reasons
only because of his
power of observations to know things. In seeing what was
happening, he asked the Universe to understand what is really behind
sexuality. He did not ask to engage in sexuality, he asked
understand it. In making this request and setting this intention,
the author was unaware that he was setting the stage to spiraling
down and addressing how to break out of the bottom of the box
discussed in topic “In
a Box” and see the
creative power of sexuality, how it controls
and influences our creativity, and how we view and use sexuality has
great control on what we can and can’t create.
Created rituals of his own choice: During this time
period, the author would create
rituals to accompany his actions and
to act on his
intuitive guidance. Many of these rituals were to
access both the
internal and external Creative Powers to align them
as he intuitively felt they needed to be aligned. Often the
rituals called upon the
unseen powers and forces as he understood
them to assist him in is
creative endeavors. In creating these
rituals, as stated in the
desire to understand sexuality, the author
was unaware that he was setting the stage to spiral upward and
address how to break out of the top of the box discussed in the
topic, “In
a Box.”
A “proper” education: The author was trained in the
manipulation and use of energy in the secular world. He had
experiences within spiritual and religious traditions to manipulate
energy in the non secular world. He was knowledgeable of the then
available creative principles. This educational background was
probably not necessary to increase the probably of the
Ultimate Accident. Rather this educational background help
establish the critical conditions to make the Ultimate Accident more
probable if not a certainty. That is, he knew in what direction he
needed to move and to look for information and/or conduct his
experiments. This education was also very helpful in understanding
and explaining what he experienced when he experienced the Ultimate
Accident..
Accept, and act on, the wholeness of one’s being: Many
traditions talk about the
triune nature of a human being. That is there are three aspects
to our being a Higher, Middle and Lower self. Others talk about a
spiritual and physical nature. Others talk about an
multidimensional
being. It doesn’t matter what view is taken, it is important to
accept and act on the understanding that we are already whole and
complete. Exactly what this means will depend on what beliefs and/or
tradition to which we subscribe.
A desire for safety: Most of the author’s professional
life was directed to making the use of
unseen energy safe for
people. This
desire for safety carried over into his own life. It
help
create the space
to be able to be open to what arises and do what needed to be done
in a way that would not further thwart his
creative spirit and its
free unfoldment.
There were two additional things that the author believed influence
the probably of him having an experience of the
Ultimate Accident that seemed to come from beyond the
experiences of his current life.
A predilection for experimentation and play: As the
author looks back over his life experiences, it is clear there are
two things that have always pulled him into life. One was a
desire
to
play and the other was a desire to experiment and see what
happens. In many ways these two are one and the same. These two
aspects are in many ways are what allowed him to
give himself permission
to step out into his own
creative power to see what he could create.
The author knows no conscious experience in his life that would give
rise to these two preferences and they do not seem to be attributes
of the genes of his family. It is as if those attributed come from
beyond this life. There are attributes that can be obtained by any
individual by looking to enter
creative play and move to entering
the most creative state of being.
A compatible life path: What is extremely clear as a
result of the journey into creativity before and after the
Ultimate Accident is that there is an
intention for our life. We are here to have certain types and
kinds of experiences. We are all not here to have an experience of
the
Ultimate Accident. Some are destined to stumble into it because
of the what they incarnated to do. Others can create the conditions
to increase the probability of having it. In hindsight the author
feels he was destined to have such an experience but under the
correct conditions for three reasons.
-
The first was that he had to
create the correct conditions and in creating the correct
conditions he would obtain the mental perspective that would
allow him to see two things. One was to see what was necessary
to do to increase the probability of an experience of the
Ultimate Accident
for others to allow their path to be
faster, easier and gentler. The second was that he could see
the role of
mind and how mind limits our ability to access and
have a conscious experience of the
source/Source of our
creative power. He had to have the
necessary experience to be able to compare different lives and
write the discussion “The
Problem of Mind and the Experience of the Source of Creation -
the Trap of Mind.”
-
The second was to communicate
the most important thing an individual needs to do is to follow
their own path. It is not to seek what other says or thinks is
important whom ever that other may be. Starting the process to
follow our own path can be accomplished by accessing,
calibrating and following your
internal compass through life.
-
The third was to provide a way
for individuals to step into their
creative power in a
faster,
easier and gentler way for whatever they wanted to create
including the
Ultimate Accident if that is what they choose to
create.
The
Releasing Your Unlimited
Creativity material is designed to provide an understanding and a
perspective, a
creativity perspective, to assist you in creating the types and
kinds of conditions described here. However, the most important
thing you can do for whatever you
desire to create is to
hold your creativity sacred. To hold your creativity sacred, you
may have to
do your own
experiments to find out exactly what your
unique creative its and how it desires to express itself. Only you
can
give yourself permission to do that. The
Fifteen Creative Steps/Guidelines and Releasing Your Unlimited
Creativity material have been created to assist
you in your creative efforts.
The Next Step
Occasion for the Ultimate Accident
An Alternative step
The recovery of a creative spirit - a soul retrieval
Index of topics related to the origins of the Releasing Your Unlimited
Creativity Technology and applications
The pieces of the puzzle
Origins and Occasions
for the Releasing Your Unlimited Creativity Technology and it
applications
Index of origins and occasion topics
Related topics
The Password
Protected Area provides access to all
currently posted
(click for current loading) Releasing Your Unlimited Creativity
related discussion files and applications.
Top |
